約 4,114,342 件
https://w.atwiki.jp/presenile/pages/1195.html
【BABYMETAL】 ■ BABYMETAL Road Of Wembley HISTORY OF BABYMETAL .
https://w.atwiki.jp/stones/pages/297.html
DAVID FROST SHOW, US TV, 6.16.1969 (aired July) 1 Honky Tonk Women (backing track) 2 You Can t Always Get What You Want (backing track) ■Session Impossible Vol. 2 (MUM MUCD 028) includes tracks 1-2 mono ■The Ultimate TV Masters Vol. 1 (Hercules HC 0005) includes track 2 mono ■The Ultimate TV Masters (Shot Gun Entertainment) (DVDR) includes track 2 mono ■Big Cocksucker Blues (4 Reel Productions) (DVD) includes track 2 mono TOP OF THE POPS, BBC TV, 7.3.1969 (aired 7.10, 8.7) 1 Honky Tonk Women (version 1) 2 Honky Tonk Women (version 2) THE STONES IN THE PARK, GRANADA TV, LIVE AT HYDE PARK, LONDON, 7.5.1969 (aired 9.2) RADIO 1 Eulogy For Brian Jones 2 I m Yours I m Hers 3 Jumpin Jack Flash 4 Mercy, Mercy 5 Stray Cat Blues 6 No Expectations 7 I m Free 8 Down Home Girl 9 Love In Vain 10 Loving Cup 11 Honky Tonk Women 12 Midnight Rambler 13 (I Can t Get No) Satisfaction 14 Street Fighting Man 15 Sympathy For The Devil ■Stones In The Park (VGP-296 remastered) includes tracks 1-7, 9-15 mono (radio broadcast; tracks 3-7, 9-12,14-15) ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) includes tracks 1-7, 9,11-15 mono (TV braoadcast; tracks 1-3, 7, 9,11-15) ■25X5 (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) includes track 11 mono KSAN, US RADIO, OAKLAND COLISEUM, OAKLAND, CALIFORNIA, 11.9.1969 (2nd show) (aired 1972) 1 Jumpin Jack Flash 2 Carol 3 Sympathy For The Devil 4 Stray Cat Blues 5 Prodigal Son 6 You Gotta Move 7 Love In Vain 8 I m Free 9 Under My Thumb10 Midnight Rambler11 Live With Me 12 Gimme Shelter 13 Little Queenie 14 (I Can t Get No) Satisfaction 15 Honky Tonk Women16 Street Fighting Man ■Oakland Sixty-Nine (1CD) RS-692 (VGP-003 remastered) includes tracks 3-7,11-14 mono THE ED SULLIVAN SHOW, CBS TV, 11.18.1969 (aired 11.23) 1 Gimme Shelter (backing track) 2 Love In Vain (backing track) 3 Honky Tonk Women (backing track) ■Ed Sullivan By The Quad (Hercules HC 0001) includes tracks 1-3 mono ■The Ed Sullivan Show 64 / 69 (no credit) (DVDR) includes tracks 1-3 mono GET YER YA-YA S OUT ! OUTTAKES, LIVE AT CIVIC CENTER, BALTIMORE, MARYLAND, 11.26.1969 MADISON SQUARE GARDEN, NEW YORK CITY, NEW YORK, 11.27 - 11.28.1969 1 Jumpin Jack Flash (11.27) 2 Carol (11.28-1st show) 3 Stray Cat Blues (11.28-1st show) 4 Love In Vain (version 1) (11.26) 5 Love In Vain (version 2) (11.26) 6 Midnight Rambler (11.28-2nd show) 7 Sympathy For The Devil (11.28-1st show) 8 Live With Me (11.28-2nd show) 9 Little Queenie (11.28-1st show) 10 Honky Tonk Women (11.28-1st show) 11 Street Fighting Man (version 1) (11.28-1st show) 12 Street Fighting Man (version 2) (11.28-1st show) ■Fuck Yer Ya-Ya s Out ! (VGP-160) includes tracks 1-4, 6-11 stereo ■A Shot Of Salvation (Scorpio OM-90-64-17) includes tracks 5,12 stereo EUROPE 1, FRENCH RADIO, LIVE AT ALTAMONT SPEEDWAY, LIVERMORE, CALIFORNIA, 12.6.1969 (aired 1970) 1 Jumpin Jack Flash 2 Carol 3 Sympathy For The Devil 4 The Sun Is Shining 5 Stray Cat Blues 6 Love In Vain 7 Under My Thumb 8 Brown Sugar 9 Midnight Rambler 10 Live With Me 11 Gimme Shelter 12 Little Queenie 13 (I Can t Get No) Satisfaction 14 Honky Tonk Women 15 Street Fighting Man ■Altamont (DAC-019) includes tracks 9-15 mono GIMME SHELTER, FILM, LIVE AT MADISON SQUARE GARDEN, NEW YORK CITY, NEW YORK, 11.27 - 11.28.1969 ALTAMONT SPEEDWAY, LIVERMORE, CALIFORNIA, 12.6.1969 (released 12.6.1970) 1 Jumpin Jack Flash (11.28-1st show, 1969) 2 (I Can t Get No) Satisfaction (11.28-1st 2nd show, 1969) 3 You Gotta Move (part only) (muscle shoals, 1969) 4 Wild Horses (part only) (muscle shoals, 1969) 5 Brown Sugar (part only) (muscle shoals, 1969) 6 Love In Vain (11.27 or 11.28, soundtrack is 11.26.1969) 7 I ve Been Loving You Too Long (Ike Tina Turner) (11.27 or 11.28.1969) 8 Honky Tonk Women (11.28-2nd show 11.27.1969) 9 Street Fighting Man (11.28-2nd show, 1969) 10 Six Days On The Road (The Flying Burrito Brothers) (12.6.1969) 11 The Other Side Of This Life (Jefferson Airplane) (12.6.1969) 12 Sympathy For The Devil (12.6.1969) 13 Under My Thumb (12.6.1969) 14 Street Fighting Man (part only, 12.6.1969) 15 Gimme Shelter (part only, 12.6.1969) ■Gimme Shelter (The Millenium Edition) (No Credit) includes tracks 1-15 stereo ■GIMME SHELTER (The Criterion Collection 99) (DVD) includes tracks 1-15 stereo ■25X5 (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) includes track 13 stereo GIMME SHELTER OUTTAKES 1 Little Queenie (overdub) 2 Little Queenie (11.27 or 11.28.1969) 3 Carol (11.27 or 11.28.1969) 4 Prodigal Son (11.27 or 11.28.1969) ■Gimme Shelter (The Millenium Edition) (no credit) includes tracks 1-4 stereo ■GIMME SHELTER (The Criterion Collection 99) (DVD) includes tracks 1-4 stereo POP GO THE SIXTIES, BBC TV, 12.12.1969 (aired 12.19) 1 Gimme Shelter (backing Track) ■Session Impossible Vol. 1 (MUM MUCD 027) includes track 1 mono ■The Ultimate TV Masters (Shot Gun Entertainment) (DVDR) includes track 1 mono ■Sixty-Nine Seventy-One (D-Stone DS-001) (DVDR) includes track 1 mono TOP OF THE POPS, BBC TV, 12.12.1969 (aired 12.25) 1 Honky Tonk Women (backing Track) ■Session Impossible Vol. 1 (MUM MUCD 027) includes track 1 mono ■The Ultimate TV Masters (Shot Gun Entertainment) (DVDR) includes track 1 mono ■Sixty-Nine Seventy-One (D-Stone DS-001) (DVDR) includes track 1 mono TEN YEAR OF WHAT ?, BBC TV, 12.12.1969 (aired 12.28) 1 Let It Bleed (backing Track) US TV, LIVE AT SAVILLE THEATRE, 12.14.1969 (2nd show) (aired 12.31.1984) 1 (I Can t Get No) Satisfaction 2 Jumpin Jack Flash 3 Carol ■Gather No Moss (Whoopy Cat WKP-0032) includes tracks 1-3 mono ■Big Cocksucker Blues (4 Reel Productions) (DVD) includes tracks 1-3 mono BACK / NEXT
https://w.atwiki.jp/bzspirit/pages/1437.html
「ONE ON ONE」（ワン・オン・ワン）は、B'zの楽曲。作曲は松本孝弘、作詞は稲葉浩志。 16thアルバム『ACTION』収録曲。 公園などで見かける、1対1のバスケットボールのことを「ONE ON ONE」ということから、稲葉がイメージを膨らませ「カジュアルで逃げ場がないというところで、人と人が1対1で話し合うこと」のモチーフに使ったという。歌詞に「ホイッスル」「ゲーム」「ファール」などのスポーツ用語が登場する。 ピアノによるイントロは当初ストリングスによる演奏だったが、楽曲が完成した後にピアノに差し替えられた。 参加ミュージシャン 松本孝弘：ギター・作曲・編曲 稲葉浩志：ボーカル・作詞・編曲 寺地秀行：編曲 ジェレミー・コルソン：ドラム ホアン・アルデレッテ：ベース 小野塚晃：オルガン・ピアノ タイアップ TBS系『世界・ふしぎ発見!』エンディングテーマ ライブ披露 B z SHOWCASE 2008 -清武ACTION- B z LIVE-GYM 2008 ACTION B z Special LIVE 収録作品 CD作品 リリース日 タイトル 備考 2007年12月5日 ACTION 2015年1月14日 有頂天 初回限定盤の特典DVDに「B z Special LIVE」でのライブ映像を収録 映像作品 リリース日 タイトル 規格 2013年1月30日 B z LIVE-GYM 2008 -ACTION- DVDBlu-ray
https://w.atwiki.jp/pyopyo0124/pages/17.html
CHAPTER I UP CHAPTER III CHAPTER II Matthew Cuthbert is surprised Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main. Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. She s a case, I should say." "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den--walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lipped and expressive; that the forehead was broad and full; in short, our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. "I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in a peculiarly clear, sweet voice. "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? And I was quite sure you would come for me in the morning, if you didn t to-night." Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum--only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. I do love to imagine I m nice and plump, with dimples in my elbows." With this Matthew s companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you re feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven t very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn t seem the right word to use. Nor beautiful, either. They don t go far enough. Oh, it was wonderful--wonderful. It s the first thing I ever saw that couldn t be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can t recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn t call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn t that a nice imaginative name? When I don t like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I m glad and I m sorry. I m sorry because this drive has been so pleasant and I m always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it s so often the case that it isn t pleasanter. That has been my experience anyhow. But I m glad to think of getting home. You see, I ve never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn t that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That s Barry s pond," said Matthew. "Oh, I don t like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don t think that can be exactly the same kind of a thrill. Do you think it can? There doesn t seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry s pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope s the name of his place. If it wasn t for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it s near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He s got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There s something dreadful heathenish about it, seems to me. I d ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I m going to shut my eyes tight. I m always afraid going over bridges. I can t help imagining that perhaps just as we get to the middle, they ll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we re getting near the middle. Because, you see, if the bridge DID crumple up I d want to SEE it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn t it splendid there are so many things to like in this world? There we re over. Now I ll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said "We re pretty near home now. That s Green Gables over--" "Oh, don t tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I m sure I ll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child s eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That s it, isn t it?" she said, pointing. Matthew slapped the reins on the sorrel s back delightedly. "Well now, you ve guessed it! But I reckon Mrs. Spencer described it so s you could tell." "No, she didn t--really she didn t. All she said might just as well have been about most of those other places. I hadn t any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I ve pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I d be so afraid it was all a dream. Then I d pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I d better go on dreaming as long as I could; so I stopped pinching. But it IS real and we re nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde s Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child s disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER I UP CHAPTER III 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 53 (Tue)
https://w.atwiki.jp/grasoturismo/pages/1502.html
プジョー RCZ Gr.3 Road Car メーカー プジョー 英名 Peugeot RCZ Gr.3 Road Car 年式 ---- エンジン エンジン形式(知らない場合は抜かしてよい) タイプ ロードカーミッドシップ カテゴリー N500 PP（初期値） 563.77 総排気量 ----cc 最高出力 475PS/7,500rpm 最大トルク 50.7kgfm/3,500rpm パワーウエイトレシオ XX.XXkg/PS 駆動形式 MR 吸気形式 TB 全長 XXXXmm 全幅 XXXXmm 全高 XXXXmm 車両重量 1,400kg 重量バランス 45対55 トランスミッション 6速 最高速度 XXXKm/h (フルノーマル/フルチューン時) (知らない場合は抜かしてよい) 登場 グランツーリスモSPORTグランツーリスモ7 備考 レーシングカーじゃないMRのRCZ 概要 RCZ をベースにした Gr.3 のロードカー版。 Gr.3版では、レギュレーションでFFは禁止されているので、「よろしくメカドック」のCR-Xを彷彿とさせるミッドシップレイアウト化が施されている。 ポリフォも｢ここまでやったんだからミッドシップRCZのロードカーバージョン作っちゃおう！｣っていうノリで作ったと思われる。 ミッドシップのレースカーにされたCR-Xデルソルよりも､こちらのほうが現実的なので､誰かリアルでやってくれないかなぁ?(もし作ってくれたのなら市販化お願いします｡出来ればプジョー公式で。) 解説 解説を書いてください！ 登場シリーズ グランツーリスモSPORT Cr.30,000,000で購入。 グランツーリスモ7 Cr.30,000,000で購入。 コメント レギュレーションでFFは禁止って明記はされてないと思う(有利になってしまうとは言ってない) -- (レギュレーションでMilk inside a bag of milk inside a bag of milk and Milk outside a bag of milk outside a bag of milkは禁止) 2024-02-04 07 46 22 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/aokashi/
移転しました Road Works 歴史博物館はAokashi.Wikiに集約されました。 移転先 また、サイトについては、Aokashi.netにあります Aokashi.net
https://w.atwiki.jp/road2010/pages/24.html
ROAD用語集 記号 好きにしちゃって(^o^) (￣△￣)・・・まつり (^o^)・・・もっともよく使用される顔文字 美・・・美ｶｻｶｻ
https://w.atwiki.jp/mrfrtech/pages/91.html
Market Scenario The global Network as a Service Market had a recorded market size of USD $35.3 billion as of 2016. But with the rise in demand, the market size is predicted to increase to USD $126.8 billion by the end of the present forecast years. The growth rate is recorded at a high CAGR rate of 28.4%. In modern-day terminology, Network as a Service is accountable as a model of virtual networking business, as of the present scenario. This service is utilized for integrating or merging the modern-day cloud computing services with that of advanced cloud networking framework. It is the business model that works upon quickly delivering the network services, but on virtual measures. It can be adapted in the form of diverse payment options and is also referred to as the ongoing demand network provider for diverse business types. The use of this business model has risen in demand with the spread of potential awareness upon cloud technology, which offers vast storage of data and concept introduction to Big Data Analytics. The speedy growth of this market is also noticed over some IoT implementations that work upon supporting the massive growth of this industry. Moreover, with this market boost, it is expected that the modern NFV will get developed within a minimal estimated period of time. The report focuses on highlighting the growth potential of the industry. Along with that, this report also focuses upon the market segmentation, market drivers, regional analysis, and other such important factors. The report also explains the potential of key players across the various regions that are working upon improving the growth of this industry. The market size was higher in the initiating years of this model, as people just came to know about it at the start. Now, with the rise in adaptation, the market size is expected to boom in the present forecast years on a high scale. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2251 Segmentation Based on the type segmentation, the global Network as a Service Market is segmented into LAN and WAN type implementation. The people utilizing upon this model can pick the type that their business would profit from! Based on the service segmentation, the global Network as a Service Market is segmented into offering services such as WAN connection, Data Center, and BOD. Based on the component segmentation, the global NaaS Market is segmented into technology service and infrastructure. It offers services to be implemented over a complete business infrastructure or as a specific technology service. Based on the end-user segmentation, the global NaaS market is segmented into diverse end-users such as IT Telecommunication, Healthcare, and BFSI. These are the sectors that are progressively implementing the use of NaaS solutions. Regional Analysis The global network as a service market trend are analysed across APAC, North America, EU, and the rest of the world. The inclination towards adoption of disruptive technologies and intense research in telecom industry resulting in rapid development are observed as chief factors that can prompt the expansion of the network as a service market in the years to come. The rise in cloud-based services can drive North America network as a service market across the analysis period. North America can secure the highest share of the global market, with the US leading the regional market through the study period. In Europe, the surge in the telecommunication sector and rise in network facilities can prompt the expansion of the network as a service market in the years to come. The existence of firm IT infrastructure and rise in the number of IT projects can drive EU NaaS market through study period. In Asia Pacific region, the network as a service market can garner considerable revenue in the years to come. The expansion of APAC NaaS market can be attribute to the initiative taken by government to promote NaaS across rising economies. Competitive Outlook Alcatel Lucent (U.S.), Ciena Corporation (U.S), Brocade Communications Systems Inc. (U.S.), Juniper Networks (U.S.), Cisco Systems (U.S.), IBM Corp. (U.S.), NEC Corp. (Japan), Aryaka Networks Inc. (U.S.), VMware (U.S.), and ATamong others are some notable marketers in the global network as service market as listed by MRFR. Industry News The telecom cloud is adapting to the change of modern-day telecommunication companies. They are upgrading from the landline services to offer advanced level cloud-computing services. Hence, that will definitely be permitting the actual employment of the networking resources. This concept of NaaS is helping companies adapt the benefits of modern-day cloud computing solutions for IT optimization. Hence, that results in lesser costs, higher elasticity, and a high level of accuracy. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/network-as-a-service-market-2251 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. LIST OF TABLES TABLE 1 GLOBAL NETWORK AS A SERVICE MARKET, BY TYPE TABLE 2 GLOBAL NETWORK AS A SERVICE MARKET, BY SERVICE TABLE 3 GLOBAL NETWORK AS A SERVICE MARKET, BY COMPONENT Continued…. LIST OF FIGURES FIGURE 1 RESEARCH NETWORK SOLUTION FIGURE 2 GLOBAL NETWORK AS A SERVICE MARKET BY TYPE (%) FIGURE 3 GLOBAL NETWORK AS A SERVICE MARKET BY SERVICE (%) Continued…. Similar Report***** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com/
https://w.atwiki.jp/xboxonescore/pages/1168.html
LEGO Batman 3：Beyond Gotham 項目数：70(40+5+5+5+5+5+5) 総ポイント：1300(1000+50+50+50+50+50+50) 難易度：★★☆☆☆ 360版とは別実績/DLCあり 各実績の攻略法 https //www.trueachievements.com/game/LEGO-Batman-3-Beyond-Gotham/achievements 本編 True Hero Attain "True Hero" status in any level 20 Pursuers in the Sewers Complete Level 1 - Pursuers in the Sewers 20 Breaking BATS! Complete Level 2 - Breaking BATS! 20 Space suits you, Sir! Complete Level 3 - Space suits you, Sir! 20 Space Station Infestation Complete Level 4 - Space Station Infestation 20 The Big Grapple Complete Level 5 - The Big Grapple 20 The Lantern Menace Complete Level 6 - The Lantern Menace 20 Europe Against It Complete Level 7 - Europe Against It 20 Big Trouble in Little Gotham Complete Level 8 - Big Trouble in Little Gotham 20 Power of Love Complete Level 9 - Power of Love 20 A Blue Hope Complete Level 10 - A Blue Hope 20 Jailhouse Nok Complete Level 11 - Jailhouse Nok 20 All the Rage Complete Level 12 - All the Rage 20 Need for Greed Complete Level 13 - Need for Greed 20 Aw-Qward Situation Complete Level 14 - Aw-Qward Situation 20 Breaking the Ice Complete Level 15 - Breaking the Ice 20 Bat s all, folks Witness the 100% LEGO Stud Fountain 70 An Unearthly Likeness Play as Batman(Zur-En-Arrh) 20 Bane and Gain Transform Bane into Bane(Venom-Powered) 20 Being from the 5th Dimension Set both Free Play characters as Bat-Mite and Mr,Mxyzptlk 20 Doughnut Discoverer Find and destroy a hidden doughnut on a hub planet 20 Everyone Loves Bouncing Jump on bouncy objects 50 times 20 Glide on Time Glide continuously for 10 seconds 30 Hard Travelling Heroes Set both Free Play characters as Green Arrow and Green Lantern 20 Hey Diddle Diddle Find a gang of jumping cows on the moon 30 Intruder Alert! Intruder Alert! Play as The Riddler in the Batcave Trophy Room 20 Loontern s Space Race Complete any hub race as Green Loontern 20 Mirror...MIRROR! Create a custom character 30 Nok Nok! Knock out your buddy on the planet Nok 20 New Queens of Crime Set both Free Play characters as Poison Ivy and Harley Quinn 20 Now THAT S Impressive Find and destroy a hidden Rider Trophy 20 One Giant Leap for (Bat) Man - Kind Visit all of the HUB Lantern Planets 50 One Small Step for (Bat) Man... Visit the Moon Base in the Hub 20 SHAZAM! Transform from Billy Batson into Shazam! 20 Super Buddies Set both Free Play characters as Booster Gold and Blue Beetle 20 Super Pets Set both Free Play characters as Ace the Bat-Hound and Krypto 20 The Bright Knight Play as Adam West 40 The Green Room Find the hidden celebrity party 30 Under the Red Brick Turn on all Red Brick Extras at the same time 50 Same Bat-time! Same Bat-Channel! Complete Bonus Level - Same Bat-time! Same Bat-Channel! 50 DLC The Dark Knight Pack(50G) You... You... complete me . Complete the Dark Knight level 10 Why so serious? Complete the Dark Knight level with all Minikits unlocked 10 A hero can be anyone Complete the Dark Knight level after achieving True Hero status 10 Would you like to see my mask? Set both Free Play characters as Bane(Dark Knight Rises) and Scarecrow(Batman Begins) 10 It s simple... Defeat Batman (Dark Knight Trilogy) as the Joker (Nurse) character 10 DLC Batman 75th Pack(50G) Amazing and Unique Adventures Complete Batman 75 level 10 World s Greatest Detective Complete Batman 75 level with all Minikits unlocked 10 The Joker s Back in Town! Complete Batman 75 level after achieving True Hero status 10 Batman Gone Bad Set both Free Play characters as Batman(Sinestro Corps) and Vampire Batman 10 Bat - Dancer Complete Batman s special Anniversary Dance Puzzle as Batman (1966) 10 DLC Man of Steel Pack(50G) It s not an S Complete Man of Steel level 10 An ideal to strive towards Complete Man of Steel level with all Minikits unlocked 10 Nice suit, Son Complete Man of Steel level after achieving True Hero status 10 I will find him Set both Free Play characters as General Zod and Superman(Man of Steel) 10 Krypto Come Home Play as Krypto in the Man of Steel level 10 DLC Arrow Pack(50G) Only One Goal... Survive Complete Arrow level 10 Oliver Queen is Alive Complete Arrow level with all Minikits unlocked 10 I M not Robin Hood Complete Arrow level after achieving True Hero status 10 Team Arrow Set both Free Play characters as John Diggle and Felicity Smoak 10 Superior Archly Skills Defeat 20 enemies on the Island by using a bow and arrow weapon 10 DLC Bizarro World Pack(50G) Level not complete! Complete Bizarro level 10 All Minikits Lost! Complete Bizarro level with all Minikits unlocked 10 Collect no LEGO Studs ! Complete Bizarro level after achieving True Hero status 10 The Omega Powers Set both Free Play characters as Darkseid and Dessad 10 Darkseid on the Moon Play as Darkseid on the Moon 10 DLC The Squad Pack(50G) Pizza Party! Complete The Squad level 10 Task Force Expert Complete The Squad level with all Minikits unlocked 10 If Mr.J could only see me now! Complete The Squad level after achieving True Hero status 10 Wardens of Belle Reve Set both Free Play characters as Amanda Waller and Harley Quinn (The Squad) 10 Vroom! Vroom! Complete any hub race using Harley Quinn s Motorcycle 10
https://w.atwiki.jp/allthatgrass/pages/75.html
* It s lonesome feeling when you re traveling Down a lonesome road, down a lonesome road Nobody cares a thing about you It s a heavy load, it s heavy load I wish that I was in Kentucky With poppa and mama dear but mama s gone now and is poppa And Kentucky that s long way from here * Refrain I fell in love in Cincinnati Her love was true as she told me so I gave her rings and all of my money where she run off to I ll never know （訳詞） 君が寂しげな旅している時は ひとりぼっちの気持ちだ 誰も君のことなんか気にしちゃいないよ ただとても悲しいだけさ パパやママとケンタッキーにいることが できたらなあと思う でもママはもういないし、パパもいない そしてケンタッキーはここからは遥か遠い ぼくはシンシナチと恋に落ちたんだ 彼女が言ってたように彼女の愛は本物だった 僕は彼女に指輪とすべてのお金をあげたんだ でも彼女は僕の知らないところへ逃げちゃったのさ